Wednesday, August 1, 2012

Literary Elements of Children's Literature

As I learned literary elements of Children's Literature, I realized that I had learned them some time in my past. And...I refreshed my prior knowledge ^^. The notes are taken and adapted from Mrs. Storey's Resource Guide.

Literary Elements:

Characters: In children’s literature, character is used to mean a person or personified animal or object.
·         Character Development: collection of features that bring the character to life, inner and outer qualities
·         Revelation of Character occurs through the character’s thoughts, conversations, actions and behaviors; the author’s narration; or the thoughts of other characters
·         Types of Characters:
o   Round Characters: Fully developed in the story—central characters and protagonists
o   Flat Characters: Less important characters, but essential to the action
o   Dynamic Characters: Changes in the course of the action
o   Static Characters: No change in the course of the story—flat characters, stereotypes and foils (a minor character whose traits are in direct contrast to the main character)
·         Analysis of characterization:
o   Physical traits
o   Inner qualities
o   Revelation of the character
o   Relationship to other characters
o   Types of characters
·         Good Picture Books for Character Study:
o   Amazing Grace—Hoffman
o   My Great Aunt Arizona—Gloria Huston
·         Classroom Connection:
o   Character Cinquainography
o   Adjectives and Character Traits
o   Character Development Story Map
o   Character Diary Entries

Setting: the time and place where the story occurs.
·         Characteristics of setting:
o   Time identified as past, present or future
o   Setting is developed through text or illustrations
o   Setting provides details which reinforce the plot and characterization
·         Author’s use of setting to enhance story:
o   When the story depends upon reader understanding, envisioning, feeling and/or sensing a particular scene, an author often goes to great lengths to describe clearly the setting.
o   An author may sometimes choose not to clearly describe a setting, or make it too specific because to do so might limit the universality of the conflict
·         Types of Settings:
o   Backdrop Setting: setting is of secondary importance; story focus is likely to be on characters, character confrontation, dialogue, action and the development of conflict
o   Time and place influence action, character and/or theme. Characters behave in a given way because of time and place
·         Good Picture Books for Setting:
o   Gleam and Glow—Eve Bunting
o   Grandfather’s Journey—Allen Say
o   The Relatives Came—Cynthia Rylant
·         Classroom Connection:
o   Setting Comparison: Where I live vs. Story setting

Plot: Sequence of events showing characters in action. Sequence is chosen by the author as the best way of telling the story.
·         Three Elements of Plot
o   Narrative Order: the way or the order in which the writer chooses to unfold the story to the reader
§  Chronological: Events are related in the order of their happening
§  Flashbacks: Writer disrupts normal time sequence to recount some past event
o   Conflict: the struggles the protagonist of the story faces
§  Person-against-self: Character typically faces an internal conflict which pulls her/him toward two courses of action
§  Person-against-person: involves a struggle between two or more characters
§  Person-against-society: involves a struggle between a character, or characters and either social mores, cultural values or sometimes the law
§  Person-against-nature: involves a conflict between a character and some force or forces of nature
o   Pattern of Action: the pattern that the action of the story takes place
§  Suspense: state of uncertainty about what events will happen in the story—cliffhanger, foreshadowing, and sensationalism
§  Climax: peak and turning point of conflict, point at which the reader knows the outcome of the action
§  Denouement: resolution or tying together of the plot that gives the reader a sense of completeness at the end.
·         Good Picture Books for Plot
o   The Ugly Duckling
o   Harriet and the Promised Land

Point of View: The side of the story the reader sees as revealed by the author through the characters. Point of view is seen through the eyes and minds of characters as the plot unfolds.
·         Types of Point of View
o   First Person
§  Story told through first-person narrator “I” whose actions and feelings influence story
§  This character is limited in perspective because she/he cannot tell what another character thinks unless told by the other character
o   Objective Point of View
§  Author lets actions speak for themselves
§  Author describes only the characters’ actions; the reader is left to infer characters’ thoughts and feelings
o   Omniscient Point of View
§  Story is told in the third person with author talking about “they, he, or she”
§  Author is not restricted to the knowledge, experience and feelings of one character
§  Feelings, thoughts and even motives of any or all characters can be revealed to give the reader helpful information
o   Limited Omniscient Point of View
§  Combination of first-person and omniscient
§  Story is told through the eyes of a single character, usually the protagonist, but is not told in first-person
·         Good Picture Books for Point of View
o   The True Story of the Three Little Pigs—Jon Scieszka
o   Three Stories You Can Read to Your Dog—Sara Miller

Theme: The idea that holds the story together or the author’s message to the reader. it is the main idea or the central meaning of the story
·         Themes often deal with society, human nature, the human condition, social issues, and good versus evil
·         Authors reveals theme explicitly as well as implicitly
·         Stories usually have a cluster of theme which are often related
o   Primary theme—central theme which is of more importance than the rest
o   Secondary theme—themes which seem of lesser importance than the primary one
·         “Themes are the underlyng ideas, morals, and lessons that give the story its texture, depth, and meaning….We infer themes.” (Harvey & Goudvis)
·         “A plot relates to a single story, whereas a theme is applicable to hundreds of stories.” (Donelson & Nilsen)
·         Classroom Connection: Theme boards using Proverbs
·         A bird in the hand is worth two in the bush.
·         A friend in need is a friend indeed.
·         A stitch in time saves nine.
·         Absence makes the heart grow fonder.
·         As you sow, so you shall reap.
·         Beauty is only skin deep.
·         Better late than never.
·         Better safe than sorry.
·         Don’t count your chickens before they’re hatched.
·         Don’t cry over spilt milk.
·         Don’t judge a book by its cover.
·         Don’t through the baby out with the bath water.
·         Early to bed and early to rise makes a man healthy, wealthy, and wise.
·         Every cloud has a silver lining.
·         God helps those who help themselves.
·         Half a loaf is better than no bread.
·         He who laughs last laughs longest.
·         Make hay while the sun shines. Necessity is the mother of invention.
·         Never put off till tomorrow what you can do today.
·         One man’s meat is another man’s poison.
·         Out of sight, out of mind.
·         Rome wasn’t built in a day.
·         The best way to a man’s heart is through his stomach.
·         The end justifies the means.
·         The grass is always greener on the other side of the fence.
·         Too many cooks spoil the broth.
·         Two heads are better than one.
·         Waste not, want not.
·         When in Rome, do as the Romans do.
·         You can lead a horse to water, but you cannot make him drink.
·         You can’t make a silk purse out of a sow’s ear.
·         Let sleeping dogs lie.
·         Hunger is the best sauce.

Style: Author’s choice and arrangement of words in order to create plot, characterizations, setting, and theme.
·         Devices of Style:
o   Connotation: Associative or emotional meaning of a word; usually used to describe a character or situation
o   Imagery: the appeal of the senses; helps to create setting, establish mood and character
o   Figurative Language: Words used in a non-literal way, giving meaning beyond the usual sense. Ex) personification, simile, or metaphor
o   Hyperbole: exaggeration used for humor or to make a point
o   Understatement: opposite of exaggeration; used to play down a happening or situation
o   Allusion: tends to have more meaning for mature readers; relies on a reference to something in our common understanding, our past, or our literature
o   Symbol: something that operates on two levels of meaning, the literal and the figurative levels
o   Puns and Wordplay
·         Devices of Sound:
o   Onomatopoeia: words that sounds like their meaning
o   Alliteration: repetition of a similar vowel sound within a phrase
o   Consonance: close repetition of a consonant sound within a phrase but not in the initial position
o   Rhythm and Cadence

Tone: the author’s attitude toward what he or she has written. Ex) humor, mysterious, creepy, straight-forward, matter-of-fact, exciting, boring, etc.

6 comments:

  1. Nice input here! Thanks for sharing.

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  2. Nice detail regarding literary characteristics. You might like to add illustration elements as children's literature is often enhanced with pictures especially for younger readers.

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  3. Nice one. Nurturing children talent in reading is important.

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  4. Very helpful, thank you for sharing

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